Sunday, November 16, 2008

Coming Up

Thursday, January 06, 2005

The Hours

"I remember one morning getting up at dawn, there was such a sense of possibility. And I remember thinking to myself, 'So, this is the beginning of happiness. This is where it starts.' It never occurred to me it wasn't the beginning. It was happiness. It was the moment... right then."

From 1 am to 6 am of the new year, I was completely happy with life. With the right people around, there is always something to make you smile. Tequila shots and music don't hurt either. Happy 2005 to you, and you, and you and you and you!




Sunday, January 30, 2005


this is just to say

my trust in you is earned over time. i hate being disappointed.

i hate even more the loss of trust.

this is just to say, an apology is really not enough.



Tuesday, February 01, 2005

a friend's mother passed away this weekend, and i've finally been confronted with this: i can bear anybody's mortality except my Mom's.



Sunday, February 13, 2005

I used to share everything with my mom as we headed home after work each day, slightly intoxicated from exhaustion. Tonight, I'm home for the new year, and together, she and I walked through college, love, life, recipes, hewlett packard, sex, and arthur miller. We came to two conclusions. I am utterly incapable of discussing work in a home environment. It stresses me out at a time when I would like to de-stress. We both wonder whether this is a symptom of family life ethics, or of repressed dissatisfaction. Our second conclusion is that I secretly like to be treated like a princess, but can only stand letting certain people do it. We both wonder whether this is a symptom of independence, or of choosy, elitist, and high expectations.

Also, I've been happy with the people in my life. This year, I feel like I've chosen whom to surround myself with, rather than this decision being made for me. Though I wish I had more time.



Wednesday, March 09, 2005

I first purchased Ani DiFranco's Revelling/Reckoning double CD during sophomore year of high school, just before I went off to Penn's Pre College sessions. It is still one of the most evocative albums I own. Its 29 tracks are cleaved like a disproportional sonnet: Revelling/Reckoning. Reservations/Resolution. At the end of the six weeks of Microeconomics, inflatable animals in the bathtub, Oreos and M&Ms, torturing hot Greek Cypriot RA's and poor poor Steeeeeeeeeeve, I knew the 29 tracks so well that I could replay the album in its entirety in my mind just by reading the lyrics. My reading pace would slow to the rhythm I had going in my head.

Then, I didn't listen to the album for the next four years. It's evocative, as I've said. Personally, it evokes memories of me trying to define myself during sophomore year and being pretty conflicted as a result. Also, I lent the album to a friend for a year and a half, and by college, had moved on to a more upbeat indie pop scene. Ani DiFranco's earlier work was folk acoustic and sometimes punkish and even ska, but Revelling/Reckoning is much more mellow and filled out. Alot less echo. The piano and brass are also more noticeable.

Over the weekend, I went back to Penn to pick up a few things that I needed at home, and picked up this album as well. However, I do stupid things when I'm running around trying to catch a train, and so while I brought home the jackets and the CD case, I left both the double CD's in my dorm. The thing with Ani DiFranco songs, though, is that her lyrics are some amazing poetry. Think the beauty of Bright Eyes lyrics, subtract out the annoying sniffling self-indulgent emo bullshit, substitute in really precise insights about society, cities, love, politics, and life, and you have yourself a great read for a trainride home. Bright Eyes doesn't even deserve to be in the same paragraph as Ani DiFranco. So, my bad.

I really wish I could find an mp3 from this album to put on that playlist. I remember scrawling these lyrics all over my Microecon notebooks and the Dry Erase on our door. Four years later, the album is still amazing. Below, some of the most memorable lyrics:

you walk through my walls

like a ghost on tv

you penetrate me


but i guess that this is the price

that we pay for the privilege

of living for even a day

in a world with so many things

worth believing in


i'm a good kisser

and you¡¦re a fast learner

and that kinda thing could float us

for a pretty long time


and win or lose just that we choose

this little war is what kills us

and either/or it's that this war

is maybe also what thrills us


cuz joy, it has its own justice

and dreams are languid and lawless

and everything bows to beauty

when it is fierce and when it is flawless



Wednesday, April 06, 2005

what matters right now, is does it make you happy?



Friday, April 08, 2005

Mallam Sile, by Mohammed Naseehu Ali

He managed to rid his heart of any ill feelings. He would wave his short arms to anyone who walked past his shop, and shout, by way of greeting, “How are the heavens with you, boy?” He called everyone “boy,” including women and older people, and he hardly ever uttered a sentence without referring to the heavens.

What have I been up to?

Udon. Sunshine. Bare arms. Outdoors. Secret garden. Almond tofu dessert. Orange and pink. Credit card. Mentee Jeanne. Banana Split. Half baked (cookies). EE Cummings.

... I've been happy!



Monday, April 11, 2005

sestina

because
if
you and
me (between
us) – love – then
need we why?

Why if or why,
when each therefored because
says just: and then
and each if
interposes (if) between
love ampersand

life and
all our heuristics? Why
the words patter their syllables between
our open-closing mouths because
we only love to argue if-ly
whether we, if us, be/maybe: then

what? permit me then
to (darling, and
if
yours could drop a why
it would be ours) because
you are lovely mouth you between

breaths, between
bites, and perhaps then
we’ll leave becausing
and
but-whying
to dessert, love, if

it please you, if
only all be by your (betweening
is such sweet agony) leave – oh, why
should else but love then
be? (and
here comes the because)

if (there be no if) and then (this, only then)
you me being between us we are and:
for every why you are all my because



Thursday, April 21, 2005

April 2004

Whether it be good or bad, a piece of who I am is taken from me and distributed whenever I wave to somebody, smile at somebody, care, worry, scowl, yell, curse. I hate to give myself up to such random distribution, to be spread thin and to lose my core to so many superficial relationships. But isn't that our lot in life? - to seek friendly faces and comfortable relationships at the risk of losing control of ourselves? - at the cost of vulnerability?

To me, friendship is still a threat that we cast over each other. Relationships are still a very fucking scary thing to me. I'm most comfortable being bubbly and smiling and waving hi.

April 2005

a bad mood is fucking contagious. sorry, but if you're not a happy person, or johnny depp, then i'm not talking to you until you are.



Saturday, April 23, 2005


Having a Coke with You -- Frank O'Hara

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o'clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look

at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it's in the Frick
which thank heavens you haven't gone to yet so we can go together for the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn't pick the rider as carefully
as the horse
it seems they were all cheated of some marvellous experience
which is not going to go wasted on me which is why I'm telling you about it



Friday, May 06, 2005

"your natural state is laughter"

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